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(Venise, 1727 - id., 1804)
Cortège matrimonial avec des polichinelles
Pierre noire, plume et encre brune, lavis brun ; filigrane GBT
H. 354 ; L. 472 mm
Signé, en bas, à droite Domo. Tiepolo f’ et numéroté 2
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(Venise, 1727 - id., 1804)
Cortège matrimonial avec des polichinelles
Pierre noire, plume et encre brune, lavis brun ; filigrane GBT
H. 354 ; L. 472 mm
Signé, en bas, à droite Domo. Tiepolo f’ et numéroté 2
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(Bordeaux 1840 - Paris 1916)
Bouquet de fleurs
Pastel sur papier, H. 430 mm ; L. 350 mm
Signé en bas à droite
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Signé en bas à droite
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Florence 1472 - Fiesole 1517
Etude d'homme marchant vers la droite
Plume et encre brune, H. 227 mm ; L. 130 mm
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Florence 1472 - Fiesole 1517
Etude d'homme marchant vers la droite
Plume et encre brune, H. 227 mm ; L. 130 mm
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Femmes en tenue de bal
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(Valenciennes 1684 - Nogent-sur-Marne 1721)
Femmes en tenue de bal
Sanguine et crayon noir, H. 134 mm ; L. 175 mm
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(Paris 1617 - 1655)
Sainte Famille avec Homme drapé
Pierre noire et rehauts de blanc, H. 422 mm ; L. 242 mm
Porte un paraphe « DC » anciennement attribué à Paul Fréart de Chantelou (L. 735) Vers 1645
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(Paris 1617 - 1655)
Sainte Famille avec Homme drapé
Pierre noire et rehauts de blanc, H. 422 mm ; L. 242 mm
Porte un paraphe « DC » anciennement attribué à Paul Fréart de Chantelou (L. 735) Vers 1645
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(Gruchy 1814 - Barbizon 1875)
Jeune fille jouant de la mandoline
Pastel, H. 420 mm; L. 320 mm
Circa 1843-45
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(Gruchy 1814 - Barbizon 1875)
Jeune fille jouant de la mandoline
Pastel, H. 420 mm; L. 320 mm
Circa 1843-45
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object(stdClass)#863 (56) { ["id"]=> string(3) "216" ["title"]=> string(45) "La Clémence d’Auguste, ou Auguste et Cinna" ["alias"]=> string(41) "la-clemence-d-auguste-ou-auguste-et-cinna" ["introtext"]=> string(313) "François-André VINCENT
(Paris 1746 - 1816)
La Clémence d’Auguste, ou Auguste et Cinna
Plume et encre noire et brune, lavis brun et rehauts de blanc, crayon, H. 335 mm ; L. 404 mm
Signé et daté Vincent / 1807 en bas à droite
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(Paris 1746 - 1816)
La Clémence d’Auguste, ou Auguste et Cinna
Plume et encre noire et brune, lavis brun et rehauts de blanc, crayon, H. 335 mm ; L. 404 mm
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Plume et encre noire et brune, lavis brun et rehauts de blanc, crayon, H. 335 mm ; L. 404 mm
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(Paris 1746 - 1816)
Le jeune Pyrrhus à la cour des Glaucias
Plume et encre noire et brune, lavis brun et rehauts de blanc, crayon, H. 335 mm ; L. 404 mm
Signé et daté Vincent / 1807 en bas à droite
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(Venice 1727 - 1804)
Le Mariage de la Vierge
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Signé Dom.o Tiepolo f.
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(Venice 1727 - 1804)
Le Mariage de la Vierge
Encre et lavis d’encre sur papier, H. 465 mm; L. 365 mm
Signé Dom.o Tiepolo f.
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(Lyon 1596 - Paris 1657)
Le Repos pendant la fuite en Egypte
Crayon noir, plume, lavis d'encre et rehauts de gouache blanche, H. 286 mm ; L. 368 mm
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(Lyon 1596 - Paris 1657)
Le Repos pendant la fuite en Egypte
Crayon noir, plume, lavis d'encre et rehauts de gouache blanche, H. 286 mm ; L. 368 mm
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Orientaux aux abords d’une forêt et d’un point d’eau
Pierre noire, plume et encre noire, aquarelle et gouache sur papier marouflé
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(Indre 1756 - Versailles 1827)
Orientaux aux abords d’une forêt et d’un point d’eau
Pierre noire, plume et encre noire, aquarelle et gouache sur papier marouflé
H. 660 mm ; L. 1105 mm
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Personnages dans la forêt ou Entretien mystique
Fusain sur papier ; H. 477 mm ; L. 335 mm
Signé ODILON REDON en bas à gauche
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Personnages dans la forêt ou Entretien mystique
Fusain sur papier ; H. 477 mm ; L. 335 mm
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(Tournus 1725 - Paris 1806)
Portrait d’un jeune enfant
Sanguine, H. 369 mm ; L. 311 mm Signé au dos sur le montage original: J.B. Greuze
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Portrait de la comtesse Amédée de Pastoret
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(Montauban 1780 - Paris 1867)
Portrait de la comtesse Amédée de Pastoret
Mine de plomb, H. 285 mm ; L. 205 mm
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Portrait du peintre Charles de La Fosse (1636 - 1716)
Pierre noire, plume et encre brune, rehauts de craie et de gouache blanche sur papier, H. 370 mm ; L. 285 mm.
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(Perpignan 1659 - Paris 1743)
Portrait du peintre Charles de La Fosse (1636 - 1716)
Pierre noire, plume et encre brune, rehauts de craie et de gouache blanche sur papier, H. 370 mm ; L. 285 mm.
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(Montauban 1780 - 1867 Paris)
Portrait présumé de David-Pierre Marquet de Montbreton (1768 -1832), dit « Monsieur de Villemoyenne ».
Crayon sur papier vélin ; H. 27.9 cm ; L 21.6 cm
Signé Ingres, localisé Rome et daté 1813, en bas à droite.
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Portrait présumé de David-Pierre Marquet de Montbreton (1768 -1832), dit « Monsieur de Villemoyenne ».
Crayon sur papier vélin ; H. 27.9 cm ; L 21.6 cm
Signé Ingres, localisé Rome et daté 1813, en bas à droite.
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Rivière dans un paysage vallonné - Figures géométriques (au verso)
Encre brune, H. 179 mm ; L. 253 mm
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Rivière dans un paysage vallonné - Figures géométriques (au verso)
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Un épagneul se tournant vers la gauche
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Un épagneul se tournant vers la gauche
Sanguine sur papier, H. 330 mm ; L. 450 mm
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Huile sur toile, H. 47,4 cm ; L. 32,5 cm
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(Tournus 1725 - Paris 1806)
Tête d’homme, de profil vers la droite
Sanguine sur papier crème contrecollé sur carton
Huile sur toile, H. 47,4 cm ; L. 32,5 cm
Exécuté en 1776-1777
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(Champigneules 1661 - 1743)
Un épagneul se tournant vers la gauche
Huile sur papier, H. 319 mm ; L. 260 mm
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(Champigneules 1661 - 1743)
Un épagneul se tournant vers la gauche
Huile sur papier, H. 319 mm ; L. 260 mm
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Vue de la Casale della Crescenza
Plume et lavis brun, rehauts de blancs, H. 168 mm ; L. 254 mm
Indistinctement signé et daté en bas à droite
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Vue de la Casale della Crescenza
Plume et lavis brun, rehauts de blancs, H. 168 mm ; L. 254 mm
Indistinctement signé et daté en bas à droite
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(Grasse 1732 - Paris 1806)
Vue inspirée par les jardins de la villa d’Este
Lavis brun et gris sur pierre noire et encre brune, H. 349 ; L. 465 mm
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(Grasse 1732 - Paris 1806)
Vue inspirée par les jardins de la villa d’Este
Lavis brun et gris sur pierre noire et encre brune, H. 349 ; L. 465 mm
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